The Brahmi-derived Writing Scripts: Devanagari Script & How to Read It

Ancient Carriage Wheel. Picture by Navneet Shanu.

Writing has a long tradition in South Asia. The earliest writing script, the Indus script from the Indus Valley civilisation dates back to the mid-third millennium BCE. This means that the writing script was used about the same time as the Akkadian cuneiform writing system and Egyptian hieroglyphs. Following the discontinuation of the writing script, two thousand years passed until two writing scripts known as the Kharosthi and Brahmi scripts emerged around the third century BCE. This does not mean that the two Indian scripts were never related to the Indus script. There are graphic similarities between some of the signs but without archaeological evidence to support the genealogy between the scripts, it is not possible to conclude a relation.

Kharosthi Writing Script. Picture by @wantwotwee.

The Kharosthi writing script is strongly influenced by the Aramaic script and, like most Semitic scripts, was written from right to left. Its use was limited to northwest India but it died out by the second century BCE.

Brahmi Writing Script. Picture by @wantwotwee.

The Brahmi script, on the other hand, had a much more influential impact to the development of writing in India. It is likely that the Brahmi script was also influenced or derived by some Semitic script because initially, the script was also written from right to left before the direction was later reversed and remained written from left to right for most of its history. The Brahmi script developed a structural design that is adopted and can be found in many modern Indian scripts such as Devanagari, Tamil, Thai and Tibetan. Some scholars estimate that upwards of 200 scripts are derived from the Brahmi script and they have been applied to languages from four different language families: Indo-Aryan, Dravidian, Sino-Tibetan and Austronesian. Geographically, the Brahmi-derived scripts can be found all over the Indian subcontinent, in South-East Asia and in Central Asia.

Structural Design of Brahmi-derived scripts

The two major design features that define a Brahmi-derived script are: (1) independent or initial vowel signs and (2) diacritic vowel indication in postconsonantal position.

One example of independent and initial vowel sign is /a-/ in alpha where /a-/ exists independently of the other preceding signs /l/, /p/, /h/, and /a/. Not all writing scripts provide this possibility as they may encode the initial vowel with the preceding consonantal sign or in the form of diacritics or other markers. The development of initial vowel sign is expected of the Brahmi script as it was used to write various Pakrits or Indo-Aryan dialects that had vowel-initial words and syllables consisting of only vowels. However, the majority of syllables are of the CV (Consonantal-Vowel) type. The CV-type syllable gives rise to the characteristic graphic syllable of Brahmi-derived scripts called the aksara. An aksara consists of one or more consonants followed by a vowel but the vowel is not encoded by an independent vowel sign as in /-a/ in alpha. Instead, the vowel is encoded by a diacritic sign called matra which is adjoined to the consonant sign.

Usually, there is a consonantal base that ‘inherits’ a vowel. This inherited vowel can be superseded by the use of another vowel diacritic on that consonant. The most frequently-used ‘inherited’ vowel is usually a reduced schwa or ‘a’, which is usually transliterated as ‘a’. Below is an example of Brahmi matras and how it re-interprets the aksara for the consonant letter k.

Brahmi's system of aksara & matra for /ka/. Picture by @wantwotwee.

As you can see, the initial consonantal base has an inherited /-a/. However, with the addition of diacritic markers, the /-a/ can be replaced with an /-e/, /-u/ or /-o/ just as easily.

In Brahmi, as well as in some other Brahmi-derived scripts such as Tamil where there are syllables of the CCV type in the language the script encodes, conjunct consonant signs may be used where one consonant sign takes a reduced form graphically in the conjunct consonant signs. This shall be discussed further later on.

Devanagari Script

Hindi-Devanagari Script. Picture by Ketut Subiyanto.

The Devanagari script is the major script of Sanskrit and other Indo-Aryan languages such as Hindi, Nepali, Sindhi, and Marathi.

Devanagari's system of aksara & matra for /ka/.
Picture by @wantwotwee.

The basic make-up of the Devanagari script is the system of aksara and matra. For example, the aksara for /ka/ which contains the inherent vowel /-a/ can be modified with a matra like /-i/ to form /ki/. As you may have noticed, the diacritic /-i/ is used before the consonant. Another example is the matra /-e/ that is written above the aksara and /-u/ which is written below the aksara. Thus, in order to read the Devanagari script, you must view the unit two dimensionally and as a whole rather than a succession of linear consonants and vowels.

Conjunct Consonant '-lpa' in Devanagari script. Picture by @wantwotwee.

Devanagari also utilises conjunct consonant signs where one consonant sign takes on a reduced form such as, in many cases, omitting the characteristic perpendicular stroke on the right hand side of the sign. For example, the word 'alpa' which means small in Hindi is transliterated as a+lpa but is pronounced as al+pa rather than a+lpa. In this example, we see that the consonant sign for /la/ and /pa/ has been fused to form the new conjunct sign /lpa/ where the perpendicular stroke of /la/ has been omitted and fused into the preceding consonant sign /pa/. The initial vowel /a-/, however, remains as an independent vowel sign.

Virama used in Devanagari script. Picture by @wantwotwee.

Another innovation of the Devanagari script is the diacritic called virama. Virama is a stroke slanting from left to right below an aksara and if used, has the effect of muting the inherent vowel in the consonant sign. For example, in the consonant sign /ka/, if /ka/ is used with the virama diacritic it has the effect of producing the velar stop sign /k/. Virama is used only in word final positions when the word itself is used in pause or followed by a punctuation mark.

Anusvara used in Devanagari script. Picture by @wantwotwee.

Another diacritic that modifies the aksara in the Devanagari script is the anusvara. Anusvara is a dot placed above the aksara and when used in the consonant, has the effect of nasalising the consonant. For example, the aksara /pa/ can be modified by an anuswara to form /pam/. In Sanskrit for example, it is also possible to replace the anusvara with a nasal conjunct /n/ as in [əŋɡə] which means 'limb of a body' which can be written as either अङ्ग or अंग. 

Visarga used in Devanagari script. Picture by @wantwotwee.

Finally, the diacritic visarga can also be used to modify the aksara. Visarga is a colon placed on the right side of the aksara and if used, has the effect of producing a final fricative or guttural /h/ and homorganic echo of the preceding vowel. For example, the consonant /bho/ can be modified by a visarga to form /bhoh/ which means 'sir' in Sanskrit.

To summarise this article on the Devanagari script, Devanagari uses aksara as its main functional unit. The unmarked aksara is interpreted to carry the inherent vowel /a/ or a weak schwa. Diacritics can be written on the aksara which will then replace the inherent vowel of the aksara. Additional diacritics can also be employed to indicate that the aksara is not to be interpreted as an open syllable as in the case of virama, anusvara, and visarga.

Devanagari Script (Hindi)

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Ancient Writing Scripts: The Linear A Writing System

Linear A is a writing script used mainly on the island of Crete from the beginning of the Middle Minoan IIb period circa 1825 BC (Rehak & Younger, 1998) until the end of the Late Minoan I period circa 1490 BC on the island of Crete, with scattered survivals of the script outside of Crete surviving as late as Late Minoan IIIa1-2 period circa 1320 BC (Duhoux, 1998: 8). As you can tell from the dates mentioned, the Linear A writing script predates the Greek alphabet by about 1000 years and the writing script was in use during the same time period as Middle Egyptian hieroglyphs and Akkadian cuneiform writing scripts. In other words, it is a very old writing script.

The Linear A writing script has also been discovered on other Aegean Islands like Kea, Kythera, Melos, Thera, Samothrace, mainland Greece (Mycenae, Tiryns, Argos) (Davis, 2010), and even the Levant (Tel Haror, Tel Lachish) (Finkelberg et al., 1996).

Sir Arthur Evans has been credited with discovering the writing script in 1900 during his excavations of the palace in Knossos in Crete. Sir Arthur Evans named the writing script ‘Linear A’ after the writing script’s distinctive feature of utilising mainly combinations of lines (Robinson, 2009: 8). Many scholars have drawn parallels between Linear A and the Cretan ruins with the myth of a ‘Minoan thalassocracy’ that gained popularity among Classical Greek writers such as Thucydides (Starr, 1955). As the word thalassocracy implies, Minoan Crete were portrayed as a naval empire and among the many stories that emerged about the island from Greek mythology is the story of King Minos and his labyrinth, and the island being the birthplace of Zeus. Minoan wares and architecture were famed in the Bronze Age societies with mentions of the island found on several Middle Egyptian hieroglyphs and Minoan-style architecture found all over the Mediterranean.The discovery of the language behind Linear A would be fascinating as it can potentially re-write early western history as we know it. It could tell us who lived and built the great Minoan civilisation, the precursor of the famous Ancient Greek civilisation.

Linear A was not the only writing script found by Sir Arthur Evans in 1900. Alongside Linear A, the archaeologist discovered Cretan Hieroglyphs and the Linear B writing script. Cretan Hieroglyphics was used during the Middle Minoan period circa 2000-1700 BC (Rehak & Younger, 1998) and the writing script may be the progenitor of Linear A, although this proposal cannot yet be ascertained (Davis, 2010). Linear B is a writing script used from about 1450 BC - 1200 BC that was found to encode the earliest known form of Greek, Mycenaean Greek (Steele, 2017). The writing script was deciphered by Michael Ventris in 1952. Due to their graphemic similarities, Linear B is seen as a daughter script of the older Linear A writing script. Another daughter script of the Linear A writing script is the undeciphered Cypro-Minoan script found on the island of Cyprus.

Linear A remains an undeciphered writing script, and the main reason for this is due to the paucity of Linear A materials and lack of existing bilingual texts (Hooker, 1975) (Olivier, 1986: 383). Bilingual texts such as the Rosetta Stone and Behistun Inscriptions are how Egyptian hieroglyphs and the cuneiform writing systems were eventually deciphered. As a comparison, Linear B which was deciphered in 1952 by Michael Ventris appears on more than 4600 artefacts with signs occurring 57398 times while Linear A only appears on 1427 artefacts with signs appearing around 7362-7396 times (Younger, 2020: Section 5). With the limited sample size and the possibility that many words identified within the Linear A corpus could just be linguistic borrowings as well, this would severely reduce the possibility of discovering what language is being encoded within the writing script.

Use of Linear B Sound Values to Read Linear A Texts 

One step researchers used to decipher Linear A is to use Linear B sound values to ‘read’ Linear A texts (Hooker, 1975) (Olivier, 1975, 1986: 382-3). The Linear B writing script was used between 1450-1200 BC and its replacement of the Linear A script on Crete, which fell out of use shortly after Linear B’s introduction, is associated with the Mycenaean Greeks assuming palatial control over the island from the Minoans around 1450 BC. The methodology of using Linear B sound values has been criticised on the basis that 80% of Linear A signs are unique to Linear B (Younger, 2020: Section 7b) and correspondingly produces meaningless ‘words’ when read this way. A similar methodology employed to decipher the Carian language by comparing Carian symbols with Greek alphabets have shown that incorrect phoneme-grapheme inferences between writing systems can lead to incorrect reading (Adiego, 2006: 176-187). As Linear A represents a separate writing system, phonological adaptation and realignment must have taken place between the two writing scripts (Steele & Meissner, 2017).

Nevertheless, there are strong arguments to support the use of Linear B sound values to read Linear A texts. Statistical experiments by Packard (1974: 72-102) and Davis (2014: 246ff), the identification of place names within the Linear A corpus, and the argument for the acrophonic principle in writing scripts (Steele & Meissner, 2017) all lend evidence for the use of Linear B sound values to read Linear A symbols. Recent epigraphic studies for example showed that 64 out of the 89 signs are shared between Linear A and Linear B signs, giving a grapheme correspondence rate of 72% which is comparable to the relationship between late 3rd Century Latin alphabets and Old Italic alphabets which produced a 74% grapheme correspondence rate (Steele & Meissner, 2017). Sound values from related scripts have also been shown to be tenacious and remain largely constant over a period of time (Steele & Meissner, 2017). For example, the Linear B da (/da/) sign was borrowed into Cypriot Syllabary as ta (including /ta/, /tha/, /da/) while Linear B ti (/ti/) and to (/to/) also ended up in the t-series of Cypriot Syllabary but not di and do (See Fig. 1). This means that while the exact phonetic values of Linear A cannot be recovered with precision, the shared values would be close enough to be reconstructed approximately.

Alas, using Linear B phonetic values to read Linear A script produces mostly meaningless sounds that does not attribute to any known languages. Using the scant Linear A material researchers have to work with, a number of languages has been hypothesised to be behind the Linear A writing script ranging from Indo-European Sanskrit (Owens, 1999), Greek (Nagy, 2002), Semitic (Rendsburg, 1996) and Etruscan (Facchetti & Negri, 2003). Each one of the researchers assertions have their merits and justification, however, given the paucity of the linear A corpus and lack of known bilingual texts, it is not conclusive as to which language is behind the writing script.

Linguistic Research

One vital step towards a systematic study of the Linear A language is the consolidation of Linear A artefacts into an updated and scientifically redacted corpus (Oddo, 2007). Leaving aside Sir Arthur Evans ambitious but incomplete attempt, the first scientific publication of a Linear A corpus was done by Giovanni Pugliese Caratelli in 1945 with subsequent innovations, revisions and updates to the corpus providing researchers with better means and alternatives for analysing Linear A (Oddo, 2007). Currently, Godart and Olivier’s (1976 - 1985) GORILA corpus are regarded as the most authoritative work for any scientific analysis on Linear A although Raison and Pope’s (1980, 1994) corpora also offers alternative methodologies and approach that are preferred by certain researchers (Oddo, 2007). With these vital foundations in place, an internal and external analysis of the language of the writing script can be done.

From what we know about the writing script so far other than the fact that the script is linear and looks similar to Linear B, the Linear A corpus, like Linear B, has been found to mostly contain economic tablets (Palmer, 1995) (Petrolito, Petrolito, Winterstein, & Perono Cacciafoco, 2015: 96). This means that the Linear corpus would consist of mostly personal or place names. The most common combination of signs in the corpus is ‘KU-RO’, which in Semitic languages has the meaning of ‘all’ or ‘total’. Researchers have also managed to deduce the tallying system used in the tablets, thus we are able to tell how much of a certain object or person is being tallied, although we may not know what the object exactly is. The writing script also appears to have an added religious and artisanal use as evidenced by inscriptions on libation tables (Palmer, 1995) (Eu Min, Perono Cacciafoco & Cavallaro, 2019).

For more insight into the current state of linear A research, you may check out Younger’s website that aims to provide a general overview of Linear A researches and to refer to GODART’s GORILA corpus. As new linear a materials are found once in a while, it may be sooner than we think that the writing script be deciphered.

The Economics of Axie Infinity

Axie Infinity was created in 2018 by a team of developers based in Vietnam called Sky Mavis. While the growth and popularity of the game was initially slow, within the space of two and a half years, the game have grown to be the number one blockchain game with more than a million active users and a market cap of more than one billion dollars. The game heralds itself as a play-to-earn blockchain game that promises to reward players based on the amount of time that they spent within the game's ecosystem. The new model is unlike that found in the traditional gaming industry where the earning aspect of the game are usually reserved for the game developers, investors, competitive e-sports players, or game promoters. After all, games are built for the purpose of leisure, the thing a person go to in order to take their minds off work, so why should a game economically reward its players?

The traditional gaming industry is a multi-billion dollar industry, but to use the term 'traditional' to describe the gaming industry is a contentious overstatement. The industry itself only emerged in the 1970s and even then the industry saw several major overhauls to its ecosystem as people's playing preferences change and new technological innovations are introduced. In just a span of a couple of decades, the gaming arcades and early gaming consoles that, just one generation ago, formed a fundamental part of people's lifestyle are now confined to a niche market of retro collectors and users.

Blockchain Technology

The current crop of blockchain games that have emerged in the past couple of months are still mostly at an early development phase, much like most other blockchain technology applications in the market. A quick search of the decentralised applications, or dApps, in the blockchain technology space will reveal mainly decentralised finance apps including yield farming apps. This was a concern raised by Ethereum co-founder Vitalik Buterin in the Ethereum Community Conference 4 event in Paris in July 2021. Money is an attractive factor to generate interest and attract investment into the technology space, but it should not be the prime factor as the concept of blockchain technology has other incredible potential uses that could revolutionise and capture the world's economy.

Blockchain technology is a useful technology that can bring better order and unity to a chaotic world and right now, it is at a stage where the technology is an idea, a belief at the back of people's minds. Blockchain technology will take root in our society one way or another because of its very useful application: its immutable ability to process transactions at possibly lower costs. As blockchain technology spreads and begin to entrench itself into our society, people will start to contribute more and more ideas about what we can do with this technology. It can be in insurance, health, journalism, or logistics. The technology has the potential to improve many of the current world's processes.

Blockchain Games - Egalitarian Multi-Level Marketing Schemes

Blockchain games promise to amalgamate blockchain technology with the gaming industry. One utility of blockchain technology is its ability to attract investments in the form of tokenisation. Anyone anywhere is able to create a fungible digital asset, or a token, that people are able to give a value to and trade for. For example, if I want to raise money to fund a Save the Turtles Project, I can create 10,000 Save-the-Turtle tokens and list in in one of many crypto coin exchanges. If people wants to invest or have a stake in my project, they can buy my token in the exchange by exchanging my token for another valuable cryptocurrency such as Bitcoin or Ethereum or fiat currency. Around April 2021, tokenisation reached a ridiculous hype and fervour with memecoins such as Dogecoin and Shiba Inu reaching market caps in the billions of dollars.

As it stands now, play-to-earn blockchain games can be described as a form of multi-level marketing scheme that is built on blockchain technology's tokenisation utility. Multi-level marketing (MLM) is a marketing strategy used where the revenue of the company is derived from the non-salaried workforce selling the companies product or service while the earnings of the participants are derived from a commission system. So, if I want to be part of a multi-level marketing scheme, I have to be roped into the scheme by another person and make a contribution and in order for me to earn I have to rope in more people to earn in commissions. MLM schemes could also be structured in a way where if the person I rope in brings in more people or investment into the scheme, I can get a referral commission or compensation. In such a structure, the higher you are in this MLM scheme, the greater your compensation will be and the greater the model is tilted to to represent a pyramid scheme.

MLM or pyramidal schemes are not fundamentally evil or wrong as it is often portrayed to be. It is simply an economic model or marketing strategy which can be used for other purposes besides pure monetary gains. For example, it can genuinely be used to attract interest into a company's new product or service at a rapid scale. Once the scheme reaches its zenith (maximum number of adopters possible in a market), the monetary rewards are no longer there but everyone within the scheme would have been introduced to the new product or service.

Play-to-earn blockchain games are a form of multi-level marketing scheme. The success of the game is in its ability to attract new users, and sustain its economy for the long-term. To play and start earning in any of these games, a player must first invest into the game by buying the game's assets which can be in the form of fungible or non-fungible tokens. If the game is popular and attracts a lot of attention, it would naturally attract new players and investors into the game. The unique difference between blockchain game projects compared to pyramidal MLM projects is that existing players can multiply their gaming assets and re-sell them to other players. Thus, the blockchain game can be shaped in a way it is more egalitarian in distributing the MLM profits derived from new players' investments.

Investing is not the only thing one has to do to guarantee a share of the MLM profits once they are part of the game's ecosystem. Continued participation is also another factor. If a person invests but does not participate in the playing aspect of the game, the person will not be able to multiply their gaming assets and earn by selling them. In this point of view, blockchain games are able to portray themselves as true play-to-earn models that de-incentivise passive players who do not want to spend time playing the game. Participation can be in the form of clicking a button several times a day or playing an elaborate strategy game. The game has to balance just the right amount of difficulty and ROI on people's time. Make it too easy or too quick to multiply your gaming assets, the value of the game's assets will plunge. Make it too hard or too difficult to multiply your gaming assets, people will be disinterested in the game, the game will not be able to attract new players and the value will plunge.

Another balancing aspect of the game's economy is also the rate of withdrawal from the economy. Contrary to some beliefs, the money earned from participation in the game's economy does not magically appear out of nowhere. As mentioned before, it comes from investments into the economy which in blockchain games are mainly derived from new player's initial investments. In the future, there is the possibility of injecting other sources of funding into the economy through other means such as franchising the game and selling toys or making movies out of the franchise. If a game is unable to regulate its high withdrawal rate and allow funds to be drawn out of the economy unchecked, the rate of return for everyone within the game's ecosystem will correspondingly diminish just as quickly as well.

Case Study: Axie Infinity

The Axie Infinity's economy was fine-tuned over the course of the past two and a half years. It had the benefit of a first movers advantage and time to figure out an economic model that would be sustainable for the long term because the game only had to grapple with a few thousand players for the large part of the two and a half years unlike some of the newer projects that saw parabolic increases in the number of players entering their ecosystem in a much shorter time period.

The game requires new players to purchase 3 NFTs from other players to start playing the game and the cost of each NFT is not cheap. An initial investment is anywhere between $1000 to $3000. The game, unlike many other blockchain games, also have a degree of complexity to it as players have to strategise in order to win games and earn gaming assets but it is not too complicated because anyone is able to win the easier levels to earn gaming assets. The development team occasionally revise the game assets ecosystem to account for changes in the market in order to maintain an egalitarian earning platform for all stakeholders and they also clam down on multi-accounts which, if left unchecked, would drain the economic resources and create imbalance in the egalitarian distribution of profits. There are also withdrawal restrictions in the form of game asset locking features that require players to wait two weeks in order to withdraw the main in-game token, SLPs.

The high amount of initial capital, the complexity of the game, the frequent policing to ban game exploiters, and the withdrawal limitations all combine to be a good recipe for a sustainable long term growth for everyone participating in the economy. Due to the nature of how inputs and outputs to and from the economy are regulated, it also prevents market manipulation of the gaming assets i.e. pump and dump strategies. In the future, there is the possibility of injecting other sources of fund into the economy through other means such as franchising the brand where the game developers can look into producing Axie movies, clothing line, or toys whose profit can then be channeled back into the game's economy.

Case Study: CryptoBlades

CryptoBlade's economy is one that was clearly designed to be a multi-level marketing scheme that is focused on the earning aspect of play-to-earn. The game attracts users with the prospect of earning a huge return within a short amount of time. A player simply has to spend about $250 to get four character NFTs and an NFT weapon to start playing and earn a return. Although the project portrays itself as a 'blockchain game', there is no element of gameplay within the game itself. Basically, a player must click on a 'Battle' button 8 times a day in order to earn gaming assets in the form of SKILL tokens. The earnings in the game are controlled by what the developers call the Oracle that decides how much players are able to earn from winning a match. This Oracle acquires data from within and outside of the game such as the price of the game's token, SKILL, and the rate of withdrawal from the economy, in order to sustain the game's economy and price of SKILL. That includes making hard decision such as allocating negative returns for playing the game in order to prevent the price of SKILL from dipping and the economy from crashing. The game also have almost no checks to control the outflow of capital from the economy because in order to withdraw your gaming asset, one simply exploit a loophole in the Staking mechanism of the game that allows players to withdraw their gaming assets within 7 days. Furthermore, multi-accounting is allowed resulting in early players creating 30-50 accounts in order to profit even more. At its peak somewhere around early July 2021, tens of thousands of people entered the game resulting in an influx of capital into the game. However, correspondingly, people were also withdrawing from the economy just as fast by creating multiple accounts. There were YouTube videos where players were seen withdrawing more than $50,000 a month from an initial investment of just $250.

In a matter of weeks after CryptoBlades blew up and reached its all-time high in July 2021, the economy started to crack. People within the game were withdrawing from the economy at a rapid rate and the amount of new investors into the game are reaching a slowdown. The price of SKILL started falling about 20% day by day and the Oracle began allocating lesser and lesser earnings per match for each player. By early August 2021, earnings within the game was negative meaning that if you play the game, you are actually making a loss because gas fees alone outweigh your SKILL earnings. The price of SKILL in the market outside of the game remained fairly steady but it is as the result of the Oracle's intervention. All these development just means that users within the game will not be able to earn anything while new users who were not aware of the Oracle's manipulation of the price of SKILL continued to enter the game, only to realise they will lose money from playing. 

The game developers are constantly seen engaging with players and trying to come up with better ideas and ways to increase the value of players earnings. In one of their AMAs, the developers were planning to increase the complexity of the game instead of simply clicking a button. However, with multi-accounts just waiting for the opportunity to seep capital out of the economy at a moment's notice, it is hard to see how the developers can address the apparent economic flaw in the multi-level marketing project that have already exhausted most of its resources.

Economics of Axie Infinity

Axie Infinity thus proves to be an interesting case study for future sustainable blockchain technology projects. The economic model is sustainable, attractive and egalitarian - a recipe for the future automatised humanist world that was envisioned by the most optimistic of technologists. In the short term, the economic model can also be replicated outside the gaming genre and can be used to support any kinds of project. It is thus interesting to find out what kinds of project can attempt to attract the attention that Axie Infinity is garnering from outside the gaming genre but the trails of success is there.

A new economic model is born.

Why Did I? Invest in the SGX

In this series of blogposts, I will be writing about the reasons why I had chosen to act upon certain decisions in the past, present or for the future. This series will help me to analyse my decisions on hindsight, reflect on the mistakes that I have made, and understand the reasons why I came to do certain things. My hope is to learn and immortalize my actions for my and my reader's benefits and perhaps be the subject of some social research in the future. Hmm...

Why I Invested in SGX Stocks in 2019.

In 2019, at the age of 24 years old, I invested in the SGX. I was in the final year of my studies and on top of the final year project and thrice a week classes, I finally had a lot of time in my hands. Gone were the days of juggling 3 leadership portfolios and overloading on my semesters. My grades were firmly in the second upper class range no matter what grades I will be getting and by this point in time many of my friends were no longer coming to school at all. Thus, I had time to think about a lot of things.

Among the things that I took an interest in was investing. In 2017, I had started investing in Singapore Saving Bonds using my NS pay savings. Every half a year, I get that extra $10-$20 from the SSBs and it felt good. However, I was dissatisfied as I was sure that I could be earning much more elsewhere. Over the years, I had been saving about half of the pocket money from my parents (yes, I was still getting pocket money of $80 a week from my parents in university to which I am grateful for) and have idle cash in my bank accounts.

I did two things with the cash that I had. One, open a drop shipping business (which I will be talking about in another blogpost), and two, start investing in the SGX.

Trading Stocks in the SGX

The Singapore Exchange Limited is an investment holding company in Singapore that offer companies a way to raise capital in exchange for shares of their company. If you buy some shares of the company, you own a little bit of the company too and owning a part of the company entitles you to certain privileges depending on the share that you bought. This includes voting rights in major decisions for the company and entitlement to a portion of the company's earnings, also known as dividends. The greater the shares that you own, the greater the voting power that you have and the greater portion of the earnings that you are entitled to.

There are many articles out there that will be better able to guide you if you are interested in trading in the SGX but in this blogpost I will summarise the steps as briefly as I can. First, you will need a broker. A broker is an entity that buys shares for you. There are two types of brokers. Custodian and depository brokers. In buying shares through custodian brokers, you do not technically own the shares that you bought as it is owned in the name of the custodian broker's account. Shares bought through a depository broker on the other hand are fully owned by you. As such, buying through custodian brokers are usually a lot cheaper than depository brokers. Some example of custodian brokers include the now famous Tiger Brokers while a depository broker is like DBS Vickers.

If you choose to trade shares using a depository broker, you will need to open a Central Depository (CDP) account to store your SGX shares. The CDP is a treasury of sorts for clearing, settling and depositing your Singapore securities. For custodian brokers, the company that you are investing through would also have a CDP account of their own where they hold your shares. More steps to open a CDP account can be found in the SGX website: https://investors.sgx.com/cdp-account-opening/#/form-selection. After opening your CDP account, you can choose a depository broker to buy and sell your shares with,

What I Did

After weighing the pros of cons of choosing a broker to trade, I opted for DBS Vickers, a type of depository broker. As such, I had to first open a CDP account. By following the easy-to-follow guide on there CDP website I managed to complete my application within a day and submit. Within one week, I received a letter about the successful opening of my own CDP account, thus enabling me to start trading SGX shares almost immediately.

I then proceeded to create a DBS Vickers account. Setting up and understanding the site takes a little while to get used to. It was only after making several trades that I became less afraid of making changes in the site for fear of putting a trade that I cannot afford or worse. I did not fully understood how the interface works. However, once you get used to looking at the charts and knowing the call options that are available, you will pretty much be an expert (to a degree), in using other trading platforms including platforms to trade cryptocurrencies as they are identical. Another thing that I was not aware of when I first started trading was the option for paying using Cash Upfront vs Cash option when Buying shares. If you are executing a Buy option on a stock that you already have the funds for and are not buying on Margin, then you should use the Cash Upfront option which have much lower fees than the Cash option. This would save you greatly especially when you are investing in smaller sums like when I was starting out. {$1000-$5000).

The first stock that I bought was DBS (SGX: D05). I bought 100 shares at $25.30. DBS is a blue chip stock, meaning that it is a big company with a very large market cap. As it was my first time buying stocks, I wanted to take minimal risks and DBS was perhaps the least riskiest option there is in the SGX. I would recommend people who are trying out to invest first in blue chip companies as a way of trying things out. 

As a first timer, after buying the stock, I found myself checking the share price every day. I was happy as for the next few days, the stock price immediately started rising but falling a little but never going below the price I bought it for. It took about 3 months however when a major news about DBS came about and I saw the stocks I bought rose in value to about $28. I was euphoric. However, just as bull markets run, the bearish cycle starts at some point or another. The price fell to around $24 about a few months later. In stock trading, you will often get a lot of this guilt feeling such as "I should have sold it at this price" or "I shouldn't have sold it so soon". This is normal. One thing that I learn over the years in trading, it is really impossible to time the market which is why there are advocates out there who insists on buying a little at a time once a year or once every several months. An important lesson I learnt was that you must have an exit strategy or some kind of strategy to reap the benefits of your investment.

I was earning a 5% dividend yield from my DBS investment which I thought is good enough for me because my SSB yield was around 1.5-2% only. I also thought I would hold on to my DBS stocks forever and just receive the dividends indefinitely. At this rate, it would take me >15 years for me to see a full return of my initial capital. After receiving my first dividend payout for DBS, a cool ~$25, I decided to buy another stock, SGX: HMN, Ascotts Residential Trust. It is a REIT, which means it is a real estate investment trust, and the company invests in serviced apartments and hotels. I was attracted to REITS due to the strong and stable returns the REITS market was producing around the time I bought it in September 2019. I bought it at $1.31 and I spent another $2500 for HMN.

Stock Market Crash

In March 2020, the impact of Covid-19, then called the Wuhan Virus as it was first discovered in Wuhan, China, became apparent as the virus raged all across the world, changing our lives forever. From hundreds of cases, millions became infected and the death toll rose to hundreds of thousands. Countries took aversive measures, although many were too late. People started working from home, public events were essentially non-existent and travelling was banned. That changed the lifestyles of many and as expected it caused the stock markets to crash. Without many of the businesses not able to earn any money as the world grinds to a halt, it does not make sense to remain invested in companies that are not generating income. The worse hit were the airlines, travel and REITS companies.

My portfolio essentially crashed about half of its value before March 2020. Ascotts were trading at around $0.80 and DBS went to around $18. I lost between 30-40% of my initial investment. Instead of just rueing, however, I decided to take action. The way I see it, when a market goes down there will still be companies that survive and these companies are at a huge discount now. My action paid off.

In March 2020, I bought $1000 worth of Bumitama Agri (SGX: P8Z). I was being more bullish now. I told myself if I made just 10% of my investment I will sell. I made 12% the following month, I immediately sold. Then I bought $1500 worth of Food Empire (SGX: F03) on June 2020 and it rose by 17% the next month, I immediately sold. I bought $2500 worth of SingMedical (SGX: 5OT) in Sep 2020 and it rose by 17% in 2 months, I immediately sold. The price of all the 3 stocks I chose to buy and sell eventually rose by more than 100% but I was happy with my gains because at the end of the day, the losses to my portfolio was mitigated by my aggressive buy and sell strategy during the pandemic. DBS eventually recovered to it's pre-pandemic value by Nov 2020 and when it reached 10% gains, I sold the stocks too. Only Ascotts, which reported more than a billion dollar in losses in 2020, had not recovered at the point of writing, and is now trading at around $1.

The stock market as of mid June 2021 have more or less recovered and is in a bull cycle right now. The pandemic have inculcated in me a more bullish attitude towards trading SGX stocks. When I invest in a stock now, I have an exit strategy of cashing out after making 10% no matter what. I also realise that I should trade in larger volumes to offset the brokerage fees. As such, I invest a minimum of $5000 per trade now. My bullish strategy has been working so far. I invested and sold my shares in QAF Limited and Yangzijiang Shipbuilding in 2021 and my investment returns are now at a 25% profit. After cashing out on QAF Limited in May 2021, I now only hold Ascotts and China Sunsine (SGX: QES).

The SGX market is a lot less volatile than the US stock market or Crypto, thus the potential to earn from your investments are a lot less. On average I would have to see 2-3 months to see profits but the earnings, if I carefully research the undervalued stocks to purchase, are there to reap. I have investments in Bonds, Unit Trusts, Crypto and SGX stocks, and out of them all, SGX stocks and Crypto trading are my favourite and most lucrative investment options. For the average salaried worker, perhaps this stock trading can be a past time to look forward to once a month and reward oneself with.

Why Did I? Invest in NFTs - The State of NFT

In this series of blogposts, I will be writing about the reasons why I had chosen to act upon certain decisions in the past, present or for the future. This series will help me to analyse my decisions on hindsight, reflect on the mistakes and success that I have made, and understand the reasons why I came to do certain things. My hope is to learn and immortalize my actions for my and my reader's benefits and perhaps be the subject of some social research in the future. Hmm...

Why I Invested in Crypto NFTs in 2021.

When blockchain technology first exploded in the early 2010s, speculations on the potential of this new technology swept across the world. People were talking about using bitcoin to purchase this and that, and social media were picking up stories about people getting rich from their participation in this new ecosystem. Blockchain technology's intended aim was for the decentralisation of transactions, to cut out the middleman that for so long had plagued almost every kinds of transaction. In a world that was still grappling from the 2008 financial crises and mistrust against financial institutions running high, blockchain technology promises to be a nobler alternative.

The cryptocurrency crash in 2018 as a result of clampdowns by governments and hacks that resulted in hundreds of millions of dollar stolen brought into light the risks and negative elements of blockchain technology. The clampdowns from governments should have been anticipated. After all, the idea of decentralisation of transactions also means deregulation of transactions and governments find it next to impossible to impose taxes on otherwise taxable transactions. Without tax revenue, a government cannot raise funds to pay for public goods like roads and schools. Deregulation also opens up opportunities for money launderers and transaction of illegal goods such as narcotics and military arms. In essence, it appears that the world is not ready to welcome blockchain technology and much research or trial-and-error has to be done to understand the humanistic implications of this new ecosystem.

It is during the pandemic of 2020 that the second resurgence of interest into cryptocurrencies happened. During the crypto winter following the crash in 2018, blockchain technology adopters created new forms of utility for the technology, namely in decentralised finance (deFI) and Non-fungible Tokens (NFTs). During the same period, supporting infrastructure for the mass adoption of blockchain technologies has been slowly building up in the form of safer digital wallets and the creation of crypto-exchanges that connects to the existing traditional financial ecosystem. deFI allows people to raise funds quickly and create investment products through blockchain technology in the form of tokenisation. Essentially, a person is able to create digital tokens for a specific purpose and people can invest in these tokens by purchasing them. These purposes range from altruistic projects such as saving endangered whales, to gaming projects, to projects that aim to create marketplaces for artists and entrepreneurs. As cryptocurrency developed hype again, an interesting phenomenon emerged which is the creation of memecoins such as Dogecoin and Shiba Inu. 

This development, in my opinion, represents a major setback against a fundamental belief behind blockchain technology which is that the centralisation of traditional wealth can be decentralised. With prices of memecoins skyrocketing, a parallel reflection of the reddit-backed US stock rallies a few months prior, cryptocurrencies became the plaything for people with wealth who, just like in traditional finance are able to manipulate the market in their favour. One's initial capital once again rule supreme in the deFI space. An even bitter pill to swallow is the fact that unlike traditional finance that have centralised checks in place to reward projects based on the attractiveness of their utility to the world (creating cars, building factories etc), the cryptocurrency projects that garnered even greater amount of investments had no actual utility. Billion of dollars was injected into dogecoin when there were absolutely no plans for its real-world usage. It is like buying yourself store credit but not being able to use the store credit because nothing is for sale. It is to no surprise that a bubble formed that resulted in the crash of the crypto space in May 2021.

Looking past the mindless hype-generated fervour of the cryptocurrency world in the first half of 2021, I do believe that the space is evolving into one focused on utility. To explain how I came to this conclusion, perhaps I have to explain the other phenomenon that took place shortly after the May 2021 collapse; the development of the NFT space.

NFTs are an evolved form of tokenisation. It is the tokenisation of unique digital and/or physical assets. Essentially, anyone is able to tokenise an asset like an art piece, a car, or even your time. Anyone can then list their assets in the many marketplaces that have emerged such as OpenSea or Raribles and anyone can purchase these assets. As the value of the asset is based on what people believe the asset is to be worth, the price of the NFTs can fluctuate depending on people's opinion of it. The early NFT art works that were successful and have real value that can be sold for thousands if not millions are those that have a story behind them. An example would be Beeple's art piece '5000 days' that sold for $69 million. The artist had, over the course of 5000 days, drew one picture every single day until his collection grew to 5000 pieces. Artists that have done paintings for years and years and did not get recognition in the art world but have massive social following suddenly found an avenue to earn income from their art. NFT digital art marketplaces became a new economy of its own. That economy evolved however, with the influx of mediocre and amateur artists that just started painting or drawing for the very first time listing their works in these marketplaces. The value of the assets being listed becomes blurred. One can find an amateur painting being listed and sold for $15,000 and the average layperson would have no idea what the actual value of the painting should be. The culprit to this horrendous development is a new form of NFT projects that emerged during the hype of NFTs. Before you label me something negative for condemning this culprit, I am here to point out as well that the culprit eventually also gave rise to the optimistic development that the blockchain technology space seems to be gearing towards - utility.

That culprit is CryptoPunks, everyone's beloved generative NFT art. CryptoPunks, for the uninitiated, is the godfather of limited generative art. Basically 10,000 art pieces were created from a pool of traits such as background colour, eyes, and hair to name a few, which was then randomised and combined such that no one art piece has exactly the same combination of traits as another. When I first looked up CryptoPunks, I was disappointed. The quality of art was dismal, the kind of art that I could have done myself. I was equating art with something like the Mona Lisa, or Beeple: something to admire and inspire. In CryptoPunks I witness the price of an amatuerish looking piece of art going for a million dollars. The idea of CryptoPunks, however, was original, and being the first of its kind definitely warrant some of the value the art pieces was commanding. These generative art filled a void that the traditional art scene had always had. People love art, and people wants to own art to show them off. But people also wants to show off their art which other people also prize. Most people cannot afford a Picasso, so the generative art scene creates a similar experience to the traditional aficionado bourgeois-dominated art world, one which more people can participate in. After all, the initially $50 CryptoPunk one bought is now worth $50,000 and one can, with gusto, tell one's folks that they own a $50,000 piece of art. One can call themselves a neo-aficionado.

As with successful projects or movements, new players will emerge in the market attempting to replicate the same success. However, people fail to realise that most of these projects is doomed to fail. With so many generative art projects being introduced every few weeks, which projects is worth something at all, and who would want to pay $50,000 for, let's face it, an amateur piece of art at the end of the day?

The Rise of Utility

A few months after not visiting OpenSea and checking up on the digital art scene, I popped into the OpenSea website and discovered the Bored Ape Yacht Club (BAYC) generative art project that had developed quite an impressive hype and community support. Other than just being a piece of art that has some incredibly fine detail and 'pop-ness' to it, it also has some utility. The utility is a sort of community-centred utility. By investing into the project and purchasing a BAYC NFT, you are in a sort of a club that gains you access to features to a site that have activities that you can do with other BAYC NFT holders. It is an exclusive club and it is an interesting concept that merits the value the NFT may hold in the market.

During the time of BAYC, you can already find dozens of generative art projects mostly without utility and these projects just died off. It seems now that in order to get people to buy into the project, you need some form of utility attached to the project. One such project was Fucking Pickles that sort of promise (or as pickle holders put it - promised absolutely no such thing) a lot of utility with their superior website and Discord community. Another is the DeadHeads project that is a generative art project that also promises to create an animated series behind each of the NFT art pieces. Finally, there is Super Yetis that promises to develop a game out of the NFT art pieces in the form of a Yetiverse. These projects are successful to a limited degree but a characteristic of these projects is that almost all of the NFTs eventually became worth less than its original mint price, and a possible reason for that is that the target base for these projects are always the same groups of people, who would have only so much capital to inject into each project's economy. The spirit and idea behind these developments, however, are certainly something positive to think about. More and more projects are now interested in longer term utility to catch the attention of investors and to delve outside of the same target group. The next big thing in the NFT space is definitely something which is creative and useful, and it could be right around the corner.

The Nascent Project

During the NFT market evolution, there was a project that had been nascent in the background that had all the traits for a mega-successful NFT and deFI project. For two years since its inception in 2018, the game grew slowly and organically from a few hundred to a few thousand active users before eventually seeing a parabolic increase in the number of active users somewhere around June 2021. That project is Axie Infinity. Axie Infinity portrays itself as a Play-to-Earn crypto blockchain game that promises to reward players on the amount of time they put into the game. Decentralisation and play-to-earn seems like a hard concept to mash together but the more one thinks about the economy of the game, the more it makes sense as a deFI multi-level marketing product.

Regular players of the Axie Infinity game have to invest money into the game initially to start playing, and the initial investment is not little. One has to put in about $1000-$3000 initially and the amount is used to purchase 3 NFTs called Axies and some AXS tokens. However, with that amount invested, the player will be able to play the game and earn another in-game token called SLPs that they can use to multiply their assets. i.e. create an altogether new NFT which they can then sell to other new players. This is decentralisation in the gaming industry at its finest because the players are selling to other new players while the developers only takes a small cut of the transactions which they use to maintain the game's economy (and reward themselves as well, I assume). The Axie Infinity economy is thus, something like an egalitarian multi-level marketing scheme and the bigger the game gets, the more people who plays the game, and the more existing players will earn. 

There are detractors that may see the platform as just a game that brings no real world utility. This argument would not hold a candle as we can compare Axie Infinity to the traditional multi-billion dollar gaming industry. The only difference between the two is that the monetary benefits from playing the game is spread across more stakeholders instead of just the game developers and investors. Axie Infinity thus represents an early form of amalgamation of the gaming industry with blockchain technology.

There are more and more interesting gaming projects that are being developed right now. Unlike other blockchain game projects so far that tokenised most aspects of their game, some of these newer games use blockchain technology in a small but integral aspect of the gameplay in creative forms such as skins. This means that the priority of the games are shifting towards the gaming experience itself. The success of a game design focused on quality gaming experiences will spell out a renaissance and economic shift within the gaming industry towards models that incorporate blockchain technology and spell out the possibility of the technology being incorporated to other massively popular traditional games such as FIFA or Fortnite.

Where to Next?

Digital art and digital games are the first steps towards incorporating blockchain technology into traditional ecosystems due to the nature of the products. I do foresee a greater integration of this technology into other aspects of our lives in the near future. Blockchain technology will take root in our society one way or another mainly because it has a very useful application; its immutable ability to process instantaneous transactions at possibly lower costs. It is a useful technology that can bring greater order and unity to a chaotic world and right now, it is at a stage where the technology is an idea, a belief at the back of people's minds. As blockchain technology spreads and begin to entrench itself into our societies, people will start to contribute more and more ideas about what one can do with this technology. It could be a carpenter, a farmer, a student, or a doctor that comes up with the next creative spark as to how one can implement blockchain technology utility into their work or daily lives. But one thing is certain. With more people participating in blockchain technology, be it they being aware that they are participating in it or not, the technology is here to stay and utility will be the key to unlocking the bridge between traditional ecosystems and the blockchain world.

Living in Pasir Ris - Suburban Singapore Town

I grew up in Pasir Ris. It is home to close to 150,000 people in Singapore. When my parents bought their house here in 1993, it was a new town built at the eastern-most edge of the island. All the HDB flats were new, and so were the shopping malls, roads and schools. Over the years, new condominiums sprouted out on vacant forest land, new sidewalks and bicycle paths were built, and upgrades were made to the many parks dotting Pasir Ris. As I begin to recount and re-live these numerous changes, my childhood emotions and nostalgia begin to resurface. It is a feeling of comfort, a feeling of home.

For most Singaporeans, when I mentioned to them that I live in Pasir Ris, an immediate reaction would be something like - "Wah, it's so far away." The statement seems a little overdramatic considering it takes only two hours to get from one end of Singapore to the other. But there is some truth in that. For a very long time, even to this day, our town's train station remains the last train stop to the east of our country's ever-expanding metro line (also called the MRT aka the Mass Rapid Transit). It can be inconvenient if one has to travel to the western-most end of the country where most of the top universities are, but really it is only an hour's train ride to the country's city centre.

However, when one were to ask about people's impression of Pasir Ris if they were to live here, generally, people would gladly agree that it is a quiet and calm place with many greenery and a lot less bustle than other parts of Singapore. It is a welcome treat to life in busy urban Singapore. Our closest neighbouring town is Tampines. In comparison to Pasir Ris, Tampines has three shopping malls built around their main train station - Tampines (Green Line) - compared to Pasir Ris' one. In fact, Tampines now boasts three train stations catering to their town alone, so much it feels like a mini city within Singapore city. 

A large part of the suburban feeling of Pasir Ris lies in its proximity to a beach, and acres of forested and farm lands surrounding the town. My parent's home, a 5 room HDB apartment, faces a small forest which itself is surrounded by fish farms, a military camp, and Pasir Ris Beach. The forest land itself is restricted land and is owned by the military thus occasionally, one can hear the sounds of live firing when the soldiers conduct their drills, though they are uncommon and certainly taking place a far distance from the civilian population. With these natural elements in our area, it is no wonder that the area is teeming with rare wildlife.

Just a ten minutes walk away from my parents house is Sungai Api Api, a small river stream that runs from Pasir Ris Beach deep into Pasir Ris. The stream houses a nest of majestic hornbills, water birds and swallows that scurry and fleet past you, a rare sight in Singapore. A five minutes walk away, you will come across dozens of wild boars that will appear around sunset and remain late into the night before disappearing in the morning. The authorities had created a fence between the forested land and the rest of Pasir Ris Town, essentially enclosing the entire forested land and making it unlikely for a wild boar to find its way on our streets or vice versa, for someone to enter the forested land. And did I mention chickens? All around Pasir Ris Beach and the surrounding residential areas near the to the beach, including my area, you will find chickens everywhere. The chicken population was actually pretty small initially. They may not have been part of the natural eco-system and may have been introduced to the area by one of the owners of the landed properties that line Sungai Api Api. Over the years, devoid of natural predators that would otherwise have been shunned by human presence when Pasir Ris Town was created, the population of the chicken grew. Other than chickens, one can also find green sunbirds that fly in the hundreds around the Elias Mall area, one-metre long sea otters and an enormous crane that lives on Sungai Tampines, and the neighbourhood owl that lives at the entrance of Pasir Ris Beach. The wildlife in the Pasir Ris area is amazing.

New Towns

The creation of New Towns in Singapore was actually an initiative of the Singapore government and are strategically planned. Each New Town has all the required necessities that a family will need to raise their kids. Grocery stores, schools, shopping malls, entertainment, restaurants, gyms, library, cinemas, just to name a few. Everything that you could possibly need can be found in the neighbourhood. Generally, new families move into new New Towns. As such, usually the first few schools that are opened in the New Towns cater to younger kids. As these families mature, new schools catering to older kids are opened and the older schools catering to younger kids may merge to cater to the changing student population size. Everything is systematic and well-run in Singapore and that adds up to the convenience of living in one of such New Towns. Essentially, the New Towns that we live in are self-sustaining and incredibly convenient and as we speak now, new towns are being created in phases all over Singapore.

Growing Up In Pasir Ris

Having lived in Pasir Ris, my schools had also been in the area. My parents sent me to a PAP Nursery and then PAP Kindergarten when I was four or five. These early childhood centers were directly affiliated with the government, although over the years early childhood centers in Singapore have moved towards the private sector. My nursery and kindergarten took place at the void deck of a couple of HDB flats right next to West Plaza, a small shopping mall just a ten minutes walk away from my parent's house. I remember singing the 'Good Morning' and 'Good-Bye, Teacher' song everyday, attending painting and drawing classes and bringing toys to the kindergarten to show off to the other kids. My mum who is a housewife would cycle me and my brother to the nursery and kindergarten every weekday and then fetch us back after. After kindergarten, I went to a local neighbourhood school, Meridian Primary School, which was the school that my elder sister went to two years prior. Meridian Primary School back then was an entirely new school. It was so new that my principal, Mr Eric Lim, was the composer of our school song that is sang to this day twenty years later. Everything in the school was spick and span new and even then it was further renovated during my time as well. I spent six years in that school and for my mandatory co-curricular activity, I was in Green Club, essentially a gardening club or environmental-advocate sort of club. I did not really have much of a say in the clubs or activities that I take part in when I was younger. My parents were strict and have this huge influence over my choices and decisions in my early years, thus they when they asked me to join Green Club, I didn't object. Eventually when I was in Primary 5, I was elected to be an Environmental Champion and started giving talks and speeches to the school assembly. After Primary School, like other regular Singaporean kids, I had to apply for a Secondary School. I was doing alright academically, scoring straight As for my Primary School Leaving Examination (PSLE). My parent's strict discipline certainly helped for sure. Thus, I had the option to pick any school that I wanted. I eventually chose Dunman Secondary School, which was, during my time, the highest ranked neighbourhood school in the east, which also happens to be the school my elder sister went to.

Dunman Secondary School is not in Pasir Ris. It is actually in Tampines, the town right next to Pasir Ris. It is possible to cycle to my school from where I live and reach the school in twenty minutes, but there is also a direct bus that takes me there for around the same time. I spent four years in that school. During this time, I made lifelong friends along the way whom I still am in contact with. The school back then had such a homely environment. No bullying of any sorts, friendly and helpful friends and all sorts of characters. The class that I was in went on to break all kinds of academic records for our school for our O level examination. I did not get straight As, unfortunately. I had an L1R5 of 10 because I got a B3 for English and Biology. After Secondary School, I had the choice of going to a Junior College or a Polytechnic. My score did not qualify me for a prestigious junior college such as Victoria Junior College or Raffles Junior College, but I got in fairly easily into Meridian Junior College (MJC), a new junior college that was built in Pasir Ris right next to my former primary school, Meridian Primary School. 

I spent another two years in junior college. MJC was so new, it was still under construction when I was still studying in Meridian Primary School. It does not have the best reputation and its merger with Tampines Junior College a few years after I had left certainly did not help much. It is known as the school with out-going and lively culture and people, but with a lot of retainers (this means that the students are unable to move on to the next grade due to academic performance). I did not have the best of times there. I had depression around the middle of year 1. During that time, I broke up with my girlfriend (of sorts) whom I met and started dating towards the end of Secondary School, my parents and sister were fighting and shouting every single day late into the night at home for all kinds of trivial reasons, and I just could not bring myself to approach anyone else for support. At my low point, I met an incredible person, a classmate, a true brother, who came into my life and handed me the support that I needed to push me through this phase. I suppose his wisdom and kindness really did rub off on me and shaped me as a person. With his help, I graduated Junior College with decent results and qualified to study in a local university.

There are good and bad events and emotions attached to the Town that I grew up in. Thanks to the New Town policy that Singapore had, a lot of the activities of my childhood certainly revolved around Pasir Ris and its surrounding area. It is the place where I had my first girlfriend, the place where I hang out with friends after school at the local 711 and ordered tasty waffles, the place where I basked in the sun during my evening runs at the parks, and the place where I just go to buy my groceries or snacks or get a haircut at the barber. It is a typical suburban Singapore New Town life.

The fish farms are gradually moving out as the government is planning to lay new MRT lines and develop new towns in the area. There was an amusement park called Escape Theme Park that had closed and a shopping mall was built in its place. A water theme park called Wild Wild Wet opened a few years back with new rides being introduced every few years. A hawker centre and a public swimming pool finished construction near the Pasir Ris MRT station. Bicycle paths were created all over the town that helped to widen the walking surface for pedestrians and cyclists. No longer must a cyclist cycle on the grass to get around a pedestrian. Many condominiums were built around the area and the construction of the international school brought a lot of international students to the area as well. Even our old small bus interchange recently received a big upgrade and was expanded. There are always new faces you will see in the area and always something new to look forward to throughout the year, and it is really nice to see the changes and make the comparison of what the place was versus now.

Yes, it has been a little more noisy lately with more people around and a lot more activities and developments happening across town. But to me, Pasir Ris Town will still be the same in my memory. After Junior College, I spent a lot of my time away from Pasir Ris while serving my National Service and then spending more time away for the next four years while studying and living in a dormitory in NTU (Nanyang Technological University). If someone were to ask me what is Pasir Ris like, I still think I would give the same response as I did when I was much younger. I would tell them it is the place where I grew up in, and it is that 'far-away, quite ulu' place, very quite, very nice.